On white wax. Within the sonic maelstrom of Vermillion Vortex Rose Kallal's background in New York's film and experimental metal scene soaks through in the dense frame of muscular drones and cataclysmic percussion that form the hypnotic spine of the track, and a bedrock for the prophetic vocals supplied by British artist and curator Mark Beasley. On the flip side fellow New Yorker Robert A.A. Lowe offers up a translation of Kallal's original, incorporating his trademark modular synth aesthetic and pulsating tones, delivering an inimitable reaction to the original score.
