"Judging on Kurzel’s work on MacBeth this is going to be a minimalistic and textural affair. ‘Abstergo Rooftop’ is just that, but it adds a layer of music that enhances the total experience. It’s quite beautiful. Same can be said for ‘The Animus Room’. Even though it’s a bit minimalistic, there are some really interesting action sequences in here. This works, it really works. Cues like ‘Sofia + Rikkin’ and ‘Bleeding Effect’ is out of touch with the action, but it’s a very pleasant ambient piece that somehow fits into Kurzel’s musical world. If I had to choose, I would say this is more similar to Jesper Kyd’s style than Lorne Balfe. Kyd’s music felt more electronic though and while Kurzel certainly use it as well, it’s a more orchestral approach that at the end of the day is chosen. I feel it works well, and I think the score overall will be interesting to hear in context. I really like the action pieces in this score. They have a calming effect which may sound weird, but just listen to them. The downward pitched synth sound is a bit Terminator-esque, but the overall action isn’t in-your-face or over-the-top, but some subtle and clearly defined action music. ‘Columbus Suite / To The Port’ is Jed Kurzel going overboard and even that is quite fun. In short, this is impressive and a step up from MacBeth in my opinion from Kurzel."
| A1 | Young Cal |
| A2 | The Execution |
| A3 | Abstergo |
| A4 | The Animus |
| A5 | First Regression |
| B1 | Cal Recuperates |
| B2 | The Cure For Violence |
| B3 | The Bleeding Effect |
| B4 | Research Room |
| B5 | Second Regression |
| B6 | Underground |
| C1 | The Creed |
| C2 | The Apple |
| C3 | Columbus |
| C4 | You're Not Alone |
| D1 | The Mutiny |
| D2 | Leap Of Faith |
| D3 | Seville |
| D4 | The Assassinations |
| D5 | Future Glory |
| D6 | He Says He Needs Me |
