Described by Clash as sounding "like a rave at the apocalypse", the new album is an angry, ecstatic, primal burst of ritualistic electronics that sacrifices self-persecution for potent, purposeful abandon and sees Liars if maybe not quite at ease with the world, then at least staring it straight in the eye and showing their teeth. This follow up to 2012's WIXIW is an angry, ecstatic, primal burst of ritualistic synth-rock that sacrifices self persecution for potent, purposeful abandon. Liars' career has seen the band rattle through pigeonholes in an attempt to avoid them all together: brittle yet taught punk funk; liminal no-wave; ecstatic noise-pop; 21st-century garage rock; post-millennial post-rock; delicate electronics; reaching here, where Angus Andrew, Aaron Hemphill and Julian Gross now find themselves.