I Am The Last of That Green and Warm-Hued World stretches through an 80-minute program of layered synth mosaics and expanses of serene drift that continually shift and reconfigure themselves into networks of interlaced harmonies and electronic textures. At any given moment, huge foundations of low-end drift swirl beneath angelic pads and soaring, quasi-melodic leads, as layers of environmental foley drip into view around the margins. Synth tones evoke the timbres of human vocal formants, stuttering digital glitch, or unidentifiable hand drum percussion. Mixing disparate sounds and moods in his palette, M. Geddes Gengras paints a mental journey through diverse emotional zones: quiet meditation under the desert sun at noon, ego-destroying tidal wave swells slamming onto the beach, confused wandering through hostile territory under the cover of night.
| A1 | Zoltan | 15:10 |
| A2 | The Pump At The Way Station | 13:47 |
| A3 | Cellar / Oracle | 11:13 |
| B1 | Passage Under The Mountains | 16:30 |
| B2 | The Drawing | 22:13 |
