Ambient music means many things in the present moment. Brian Eno’s Reflection from earlier this year presented its contemplative side, the recent compilation Mono No Aware posits it as a commentary of modern technology, and ambient musician Keith Fullerton Whitman rhetorically wondered: “What music isn’t ambient in the 21st century?” Its modern conception stems from a now-mythologized moment, when Eno was convalescing in a hospital bed after being hit by a cab, the playback on a harp record so low that it blended in with the sound of rain. It’s environmental, but from its inception, ambient music also has roots as a healing music.
Ambient as restorative comes to mind with async, Ryuichi Sakamoto’s sixteenth solo album. In June of 2014, the legendary Japanese composer was diagnosed with throat cancer and underwent rigorous radiology treatment to combat it. Three years after that diagnosis, Sakamoto returns with an album bearing a sense of mortality surrounding its every sound. Unlike his ’80s heyday where Sakamoto fearlessly embraced pop and found himself in the studio with Iggy Pop, David Byrne, or Maceo Parker, async is more closely aligned with his 21st-century experimental side and his ongoing collaborations with the likes of Christian Fennesz, Alva Noto, and Christopher Willits. But there’s a warmth and fragility to the album here that makes it stand apart from these works.
A1 | Andata | 4:39 |
A2 | Disintegration | 5:46 |
A3 | Solari | 3:52 |
A4 | Zure | 5:12 |
B5 | Walker | 4:20 |
B6 | Stakra | 3:41 |
B7 | Ubi | 4:03 |
B8 | Fullmoon | 5:13 |
C9 | Async | 2:45 |
C10 | Tri | 3:29 |
C11 | Life, Life | 4:24 |
C12 | Honj | 3:42 |
D13 | FF | 5:13 |
D14 | Garden | 4:16 |
D15 | Water State 2 | 7:14 |