A24 and Josh Safdie's Marty Supreme is a timeless American sports epic with a score equally as ambitious. Composer Daniel Lopatin (Oneohtrix Point Never) returns for his third collaboration with Safdie to deliver a kinetic score of sterling synth sound design, pulsating mallets, euphoric choral vocals and jazzy instrumentation that grips listeners from start to finish. Already deemed one of the year's best soundtracks, the score transforms through its runtime, drawing on both neoclassical scores and iconic 80s soundtracks, blending in elements of new wave, Japanese city pop, techno and baroque fugue to create a soundscape that's wholly original and impossible to place on a timeline.
| A1 | The Call |
| A2 | Marty's Dream |
| A3 | Endo's Game |
| A4 | The Apple |
| A5 | Pure Joy |
| A6 | Holocaust Honey |
| B1 | The Humbling |
| B2 | Motherstone |
| B3 | The Scape |
| B4 | Tub Falls |
| B5 | Fucking Mensch |
| B6 | Rockwell Ink |
| C1 | Hoff's |
| C2 | Seward Park |
| C3 | The Necklace |
| C4 | Vampire's Castle |
| C5 | Back To Hoff's |
| C6 | Shootout |
| D1 | I Love You, Tokyo |
| D2 | The Real Game |
| D3 | Endo's Game (Reprise) |
| D4 | Force Of Life |
| D5 | End Credits (I Still Love You, Tokyo) |
