Next up, 'Flim Flam' rolls out with a foreboding intro, building mechanically until you can almost feel the pressure on your nerve endings. It begins to break at the seams, before dropping into a driving riddim that chops and changes between thrown down beats. Humanlike reverberation propels the record forward through elevating switch ups; you're yet again left to bask in the quick-fire skill that Frankee reigns supreme over.
A fairground of musicality, 'Drop it Low' is the perfect reintroduction to Frankee's ability to flip the switch and take you into a quirkier dimension of sound. The riff is undeniably catchy; grabbing you by the shoulders and submerging you in pulses of reverberating subs. Snapping, biting and with commanding vocal samples that literally throw themselves at you, Frankee is back and proving his merit.
And lastly, is 'Snarl'. Creeping, progressively intimidating and with an impact which is often missed by other producer's, 'Snarl' is imposing but without the shoutiness. Clacking high-hats and drum-patterns which lead you between breaks are diced up by unnerving atmospherics. This is Frankee at his most subtle; it proves his ability to master tracks which are diligent, dark but refined in their execution.
