Layers of Afternoon is meant to reflect a certain experience of time-something both tangible and vague, felt yet not easily described. These moments often emerge in patterns, sometimes brief, sometimes sustained, but always formative. We recognize their uniqueness, yet something subconscious in us yearns to identify and indulge in these patterns. Perhaps we avoid discussing them for fear of sounding mundane or inconsequential, yet they return to our memories often, offering collective comfort.
For Keith Kenniff aka Goldmund, language does little to convey these experiences; only art and music seem to come close to capturing what makes them special. Kenniff explains, "My aim for the music in Layers of Afternoon was to find this in-between place and write from there, hoping to communicate my experience of the world as ideal-free from goals, musical training, or emotional complexity. I wanted to visit this space and let the moments float freely within the act of creation." Working with violinist Scott Moore, Kenniff crafts a sonic landscape that lingers between nostalgia and fleeting presence, allowing listeners to drift through the blurred edges of memory.
| A1 | The One Who Stands Still |
| A2 | Our Times |
| A3 | Darnley |
| A4 | We Begin Anew |
| A5 | Long Memories |
| A6 | Before I Sleep |
| A7 | Touch Of Silver |
| B1 | One Of The Two |
| B2 | The Broad Belt Of The World |
| B3 | Especially So |
| B4 | Prosody |
| B5 | All Nature |
| B6 | Evident |
| B7 | Spring Of The Pine |
