In an era of rampant, man-made climate chaos, “solastalgia” (the longing and distress experienced by individuals as a response to environmental change/degradation) has emerged as a useful, semi-viral concept — a catch-all term for the pervasive sense that the world as we know it is far from well, and only growing less so. But, for many of us, a problem, a trap, an ineffable hollowness, exists at the very crux of this concept/premise: how can we mourn (or even sense the loss of) that which we have never known? Especially for lifelong urbanites estranged from nature, who nevertheless grasp the severity and complexity of the problem—how might they remember? How might they mourn? Perhaps indirectly—that is to say, in an exploratory and non-dogmatic fashion—Green-House, a project birthed by Olive Ardizoni and now officially a duo project featuring long-time collaborator and confidant, Michael Flanagan, seeks to address this gap in understanding.
| A1 | Coquina |
| A2 | Lichen Maps |
| A3 | Desire Path |
| A4 | Castle Song |
| A5 | Far More Other |
| B1 | Luna Clipper |
| B2 | Ferndell Shade |
| B3 | A Host for All Kinds of Life |
| B4 | Everything is Okay |
| B5 | Many Years Later |
