Borrowing a line from Billie Holiday, the homage continues as Mako's "What a Little Moonlight Can Do" builds its dusky rhythm section from layered sixteenths, loads of chunky 1-2-3 percussion, and long, long reverb tails. Some of the A-side's blue-chord high-passed pad sounds return, for a brief moment, taking us back to a smoke-filled barroom in the the 1930s--at least as far back as drum & bass can go.
