Bad Landing finds Andy Stott delivering arguably his most evolved, developed material to date. The title track is a throbbing mass of dub reduction fuelled by deft space and compression. A towering valve organ presents a looped refrain slowly opening up to reveal a catchy hook. "Fine Metallic Dollar" constructs itself out of sparse percussion and an elongated bass line. The chords here are gnarly and disfigured, slowly disintegrating into an oscillating wave of late night wonkiness.
A1. Bad Landing
B1. Fine Metallic Dollar
