2019 repress of the 2009 reissue - Ahhh, the unmistakable Florida funk sound. There have been so many great labels: TK, Drive, Cat, Alston, Glades, Sound Triangle, Konduko, Blue Candle and Marlin just to name a few. Blistering tropical grooves heard around the world and made famous by artists such as: Timmy Thomas, King Sporty, Clarence ‘Blowfly’ Reid, T-Connection, Beginning Of The End, Freak, Oceanliners, James Knight, Chocolate Clay, the 13th Floor, Herman Kelly & Life, Philip Wright, Ray & His Court, All The People, K.C. & The Sunshine Band, Vanessa Kendrick, Miami, Coke, Antique, Lew Kirton, Pearly Queen and so on…The shear amount of talent that emerged from the Sunshine State in the 1970’s is mind-boggling.
But Betty Padgett? Who is Betty Padgett? This is the question record collector and DJ Shane Hunt (aka DJ Sureshot) kept asking himself when he recently discovered the Betty Padgett self-titled 1975 debut LP while browsing through a dusty back room at a Los Angeles record store. “There is a certain feeling that a beat digger gets when stumbling across what may be a Holy Grail, it’s what keeps you going on the quest to unearth lost musical treasure,” said Hunt. “The record simply looked too good to be true. I didn’t know if it was going to be Sweet Soul? Disco? Dirty Funk, or possibly even Reggae? When I got back to my crib and gave it a listen, I discovered it was all of the above and more,” he added. Few records encompass all of these musical genres in one package, but this one captures the essence of Miami in the mid-70s with a sampling of all the sounds that made the region a musical hotbed.
Betty Padgett was born in Newport, New Jersey and her family moved to Florida when she was in the 6th grade. She sang in her church choir and began to take performing seriously after graduating from high school. While checking out the bubbling local music scene at venues like The Double Decker and Tedie Green, Padgett became particularly keen with the group called Joey Gilmore and the T.C.B. (Taking Care of Business) Express. In 1971 she auditioned with Gilmore and ended up, not only securing the position, but singing with the band for the next 17 years.
After a gig at the Elks Club in Ft. Lauderdale, Padgett was approached by soul legend Milton Wright (responsible for the rare groove classics “Keep It Up” and “You Don’t Even Know Me.”) Blown away by her vocal skills and stage presence Wright wasted no time. Within a month she was co-writing and arranging with Wright (check his unmistakable influence on “Gypsy of Love”), Wally Joest, and a cast of musicians she had just met. The entire album was recorded in one evening at Criteria Studios in Miami. Padgett vividly remembers listening to the demo on the drive home from the studio around 3am. It was pouring down rain and she was so excited from having recorded her first record at age 21 that she lost control of her car on the slick streets and nearly crashed!
| A1 | It Would Be A Shame | 4:36 |
| A2 | My Eyes Adore You | 3:05 |
| A3 | Sugar Daddy Part 1 | 3:27 |
| A4 | Tonight Is The Night | 2:54 |
| A5 | Never, Never, Never | 4:13 |
| B1 | Gypsy Of Love | 4:36 |
| B2 | Sugar Daddy Part 2 | 3:29 |
| B3 | Rocking Chair | 3:14 |
| B4 | Love Me Forever | 2:35 |
