2013 repress "Floating Points touches down aboard two sumptuous arrangements on Eglo. First side, orchestral strings hover into view and sweep us through twirling synthlines and broken-down beats reminding of the Cinematic Orchestra, only that bassline is liable to shatter your coffee table. The other side reveals his none-too-hidden obsession with Theo Parrish, gliding on a ruff-but-smooth 110bpm beat adorned with the silkiest keys, singing synths and a cone-gripping subbass that's all latent sexual tension. Grade A bump material.
