Karen y Los Remedios: blending cumbia and existentialism
Behind Karen’s pulsating spectral voice lies vulnerability, contemplation and longing. Chameleon-like foundations explore cumbia in its many forms, crossing the continent with Norteño airs, pitched-down rebajados, psychedelia and even traditional Peruvian music, taking in ballads, Afro-Latin percussion, reggaeton and the more electronic sounds of dream-pop, trip hop and downtempo.
A mystical, motley mixture, the ideal soundscape to fight the voices in your head while you melt on the dancefloor and scare away the ghosts of your past, your body surrendering to the dance.
That’s pretty much Karen y Los Remedios, the project led by Ana Karen G Barajas, an artist and arts and social sciences researcher born in Mexico City and raised in Guanajuato, in the company of Mexico City native Jonathan Muriel (Jiony) and guitarist Guillermo Berbeyer (Z.A.M.P.A.), who after many years on Mexico’s alternative scene decided to get together and bring this existential cumbia project to life.
