The latest from Los Angeles synthesis figurehead M. Geddes Gengras consolidates his entire arsenal of techniques and compositional tricks into a four-sided opus of immersive sound worship. Recorded and assembled across six years and far-flung geographies (California, Connecticut, The Netherlands), Interior Architecture was imagined as an “impossible object,” simultaneously stark and lush, sprawling and concise, analog and digital.<br/><br/>
Gengras’ array of processing modules allow for a near-infinite complexity of texture and movement: tones rise and morph and recede, inscrutable chords float in space, elements integrate and then refuse resolution. Long-time associate Seth Kasselmanguests on clarinet throughout Side C but otherwise Architecture is, as per usual, a solitary affair – the rogue alchemist alone at his mainframe, the laboratory thick with smoke. His is an ambiguous and experiential form of tactile psychedelia, electronic rorschach tests for the 21st century.<br/><br/>
Gengras’ own assessment is suitably consuming: “At its best it should feel like sinking into really warm quicksand or dying of hypothermia.”
A | Wings Carroms Fountain Worm Suite Pt. 1 | 18:47 |
B | Staircase Pressure Reverie Structure Worm Suite Pt. 2 | 18:11 |
C | Extension Breath Worm Suite Pt. 3 | 17:08 |
D | Shard All Bridges Dawn (Terrapin) | 18:03 |