Second single from their album "Golden Days" featuring the album title track on the b-side. Mamas Gun are masters of modern soul music. Their blend of classic and contemporary influences have sparked millions of streams worldwide and garnered praise from The Sunday Times, Billboard, The Guardian, and Uncut Magazine. Collectively, the London-based group's first three albums, Routes to Riches (2009), The Life and Soul (2011), and Cheap Hotel (2014), spawned Top 10 hits on four continents, including #1 singles in Japan and Hong Kong, propelled by the band's sold-out tours and funky, full-tilt performances at the Billboard Music Awards (Tokyo), plus global music festivals like WOMAD, Greenroom, Java Jazz, and Pentaport. With the release of Golden Days (2018), Mamas Gun have delivered their defining masterpiece.
Golden Days is the culmination of a musical journey that spans ten years and has helped fuel the vanguard of 21st century soul alongside the Dap Kings, Charles Bradley, Lee Fields, and Mayer Hawthorne. Since 2007, group founder and frontman Andy Platts (singer, composer, producer) has piloted Mamas Gun with Dave "Eighties" Oliver (keyboards) and Terry "Spiller" Lewis (guitar), plus newest members Cameron Dawson (bass), and Chris Boot (drums). Their distinctive, full-band sound stems from a shared artistic vision among the five members in Mamas Gun. "The present lineup is the best version of the band to date, built on years of important creative exploration with previous lineups," Andy declares. "Those experiences definitely paved the way for where we are now and the decisions we’ve made for the direction of this new album," adds Spiller.
Golden Days glimmers with vivid musical settings, from the velvety grooves of "We" to the spectral ambience evoked by "The Spooks" to the trail of interludes that conclude with closing track "This is the Day". In between, "Strangers on a Street" deftly juxtaposes buoyant melodies with a bittersweet storyline. "I love that idea of talking about something maybe serious, sad, or loaded emotionally, but dressing it up in something that doesn't have too much depth," says Andy. "The music calls you in, then you unwrap it and realize there's something a bit more at the center of it."
