2018 reissue in a deluxe heavy, glitter accented jacket - The sound of Massive Attack circa 2010 has some similarities to what the group has done in the past, but overall, this represents a radical shift in music-making. Granted, most of the Massive Attack hallmarks are still here: gripping music laden with tension and dread, a production that sounds fathoms deep, and an insular worldview represented by a cast of vocalists both new and old. (The new voices include Damon Albarn, Hope Sandoval, Elbow's Guy Garvey, and TV on the Radio's Tunde Adebimpe.) What's immediately apparent, however, from the opener "Pray for Rain" is the sparseness and understated air on display here. With Adebimpe on vocals, the track begins with a rattling of bones and a resigned air whose closest predecessor is "In a Lonely Place" by New Order (a group who practically defined the word understated with their music prior to 1982). This certainly isn't the Massive Attack that floated the smoothest British house of the early '90s, and more surprisingly, it's also not the Massive Attack that created dense, immersive trip-hop during the '90s and early 2000s. At times, it's clear that Robert Del Naja and Neil Davidge's work on soundtracks during the 2000s has adversely affected their main project, resulting in music that skirts the background as often as not. Heligoland often sounds like a soundtrack, most likely the score to some dystopic thriller such as Children of Men or 28 Days Later.
A1 | Pray For Rain | 6:43 |
A2 | Babel | 5:19 |
B1 | Splitting The Atom | 5:16 |
B2 | Girl I Love You | 5:26 |
B3 | Psyche | 3:24 |
C1 | Flat Of The Blade | 5:30 |
C2 | Paradise Circus | 4:57 |
C3 | Rush Minute | 4:51 |
D1 | Saturday Come Slow | 3:43 |
D2 | Atlas Air | 7:51 |