NOTE: jacket has one dented corner but VINYL IS MINT & UNPLAYED
Having already made a big splash on labels like Rush Hour, Ghostly, Spectral Sound and Werkdiscs, the London based producer Moiré tees up his third full length player for Hypercolour. ‘Good Times’ goes someway to pulling back a positive energy to recent global events and finds Moiré collaborating with fellow artist Demigosh on a good chunk of the album cuts. Hazy agit house and drowsy beats anchor an album filled with smooth ambience and soulful sampling.
Low frequencies and foggy tones make tracks like ‘Magdan’ and ‘Vertigo’ strike a chord between lo-fi electronica and abstract ambient noise, whilst the collaborations with Demigosh add an ethereal soulful touch that’s both stirring and emotive in equal measures. Exotic beat science is deployed on cuts like ‘R1’ and ‘Telefunk’, whilst the jazzy licks and lumpy rhythms of ‘Lost In Pacific’ seal off an extraordinary album that exemplifies the advancing maturity of Moiré’s sound and vision.
| A1 | Know Me (Ft. Demigosh) |
| A2 | Low Works |
| A3 | Doors (Ft. Demigosh) |
| B1 | Madgan |
| B2 | Dekade (Ft. Demigosh) |
| B3 | Zooloand (Ft. Demigosh) |
| B4 | Ghana |
| C1 | R1 |
| C2 | Vertigo |
| C3 | Telefunk |
| D1 | Sour Site (Ft. Demigosh) |
| D2 | Time (Ft. Demigosh) |
| D3 | Lost In Pacific |
