only 100 of these for sale outside of the deluxe box set - Official reissue of industrial classic from 1988, black vinyl in embossed gatefold jacket. Expanded edition with bonus techno remixes of "CONTROL I'M HERE', "HEARTS & MINDS", "SHAME" and "CAPTIVATE".
Merging the musical lexicon of the dancefloor with their own dark musings, Nitzer Ebb evokes a stunning mix of techno and industrial on their second full-length effort. At its best, Belief is a captivating call to surrender the pretensions of free will and control; escape is only possible through dance. The vocals, which alternate between athletic direction and threatening whispers, reveal an internal dialogue at work that both bullies and stalks the listener. This might make for dour dance music if the rhythms weren't so intoxicating. On tracks like "Hearts and Minds," "Control I'm Here," and "Blood Money," Nitzer Ebb builds a compelling soundtrack that exorcises their own sense of despair. In fact, this album seems to advocate the dancefloor as a surrogate religion. "Blood Money" asks us to "shed faith" in the wake of organized religion's failures, "T.W.A." suggests we "surrender to the faith" of the dancefloor, and "Shame" holds the vague promise of freedom from that original sin through dance. Although not as sonically in your face as bands like Ministry or Nine Inch Nails, Nitzer Ebb's Belief should appeal to the same audiences (their subsequent Showtime even more so). Favoring synthesizers and electronic percussion over guitars, the band doesn't baffle listeners with an array of sounds as Nine Inch Nails might, but they can draw from an impressive palette of effects when the muse strikes them.
| A1 | Hearts And Minds |
| A2 | For Fun |
| A3 | Control I'm Here |
| A4 | Captivate |
