The bass dives deep, but the percussion percolates nicely over the top – almost a Miami 70s funk groove, but more offbeat overall – as are the cool reed lines that get voiced over the groove in an excellent way! The percussion's even better on the flipside, which has a TK Records-style drum break at the beginning – as the cut then opens up to all sorts of cool psychedelic guitar, produced to perfection by Misha Panfilov
