Tom Jenkinson, aka Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes, and handbrake turns through varieties of progressive, ambient, electronic and experimental music.
The singular producer, experimental musician and creator of futuristic forms of fusion, has a three-decade-long back catalogue studded with a variety of jewel-like records. From the furious breakbeat acid and pulverising live bass guitar attack of Feed Me Weird Things (1996) to the literal and self-explanatory Music For Robots (2014) via the virtuosic live showcase of Solo Electric Bass 1 (2009) and the otherworldly concrète jazz of Ultravisitor (2004) few contemporary musicians have covered as much ground in as sure-footed a manner. But despite this reach, his three decade output is only typified by two things: unpredictability and rule breaking. Given that his new album on Warp, Kammerkonzert, is essentially a chamber concerto with Jenkinson himself playing all of the parts it’s safe to say he has come a long way since his crystalline drum & bass debut for the label in 1996, Port Rhombus EP.
| A1 | K1 Advance |
| A2 | K2 Central |
| A3 | K3 Diligence |
| A4 | Untitled |
| B1 | K4 Fairlands |
| B2 | K5 Fremantle |
| B3 | K6 Headquarters |
| C1 | K7 Museum |
| C2 | K8 Park |
| C3 | K9 Reliance |
| C4 | K10 Terminus |
| D1 | K11 Tideway |
| D2 | K12 Uplands |
| D3 | K13 Vigilant |
| D4 | K14 Welbeck |
