When Taylor Swift decides to do something, the girl really knows how to overdo it. So on her fifth album, when she indulges her crush on Eighties synth-pop, she goes full blast, spending most of the album trying to turn herself into the Pet Shop Boys. 1989 is a drastic departure - only a couple of tracks feature her trademark tear-stained guitar. But she's still Taylor Swift, which means she's dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can't even spell "feelings."
1989 sets the record for fewest adjectives (and lowest romantic body count) on a Swift album. Most of the songs hover above the three-minute mark, which is a challenge for Tay - she's always been a songwriter who can spend five minutes singing about a freaking scarf and still make every line hit like a haymaker. But if you're into math, note that the three best songs here - "How You Get the Girl," "This Love," "Clean" - are the three that crash past four minutes. This is still an artist who likes to let it rip. Deeply weird, feverishly emotional, wildly enthusiastic, 1989 sounds exactly like Taylor Swift, even when it sounds like nothing she's ever tried before. And yes, she takes it to extremes. Are you surprised? This is Taylor Swift, remember? Extremes are where she starts out.
A1 Welcome To New York 3:30
A2 Blank Space 3:49
A3 Style 3:49
B1 Out Of The Woods 3:54
B2 All You Had To Do Was Stay 3:11
B3 Shake It Off 3:37
C1 I Wish You Would 3:26
C2 Bad Blood 3:30
C3 Wildest Dreams 3:38
D1 How You Get The Girl 4:06
D2 This Love 4:09
D3 I Know Places 3:12
D4 Clean 4:28
