Various Artists - Cumbia Beat Vol. 3 (Peruvian Tropical Gems) - 2x LP Vinyl

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SKU:c0025834 ,UPC:

Info

SKU:
c0025834
UPC:
8435008863326

Specifications

Artist, Album, Batch, Format,

Specifications

Artist:
V/A
Album:
Cumbia Beat Vol. 3 (Peruvian Tropical Gems)
Format:
12" Vinyl
UPC:
8435008863326

Description

Double LP version. "Fifty years after the release of one of the founding records of the genre known as Peruvian cumbia (by guitar players Enrique Delgado Montes and Berardo Hernández 'Manzanita'), Vampisoul presents this third volume in the series Cumbia Beat, which brings together 45 rpm rarities from acclaimed groups, short-lived bands and outstanding huaycumbias. Like the previous volumes in this series, listening to this record takes you on a journey across the geography of Peru, as the majority of the groups on this collection were from different regions of the country, or had close links to them, although all of the artists recorded in Lima. Most of the bands emerged during the period 1968-1980, a time of deep political and social change implemented by the nationalist military dictatorship. Los Demonios Del Mantaro, Los Demonios De Corocochay, and Los 5 Palomillas are the exceptions to this, as they recorded between 1965 and 1967 and produced a hybrid of cumbia and huayno called huaycumbia, a genre which achieved high sales figures during those years. Despite the characteristics of huaycumbia, the early composers of Peruvian cumbia didn't consider it a direct source of inspiration. They admit to being more influenced by Colombian cumbia, Cuban guaracha, beat, and psychedelic music from the UK and US that they had played since the end of the '60s, in their 'own style', as a part of a musical appropriation process that quickly led them to forge a singular sound. Peruvian cumbia developed, spurred by the music school erudition of the guitarist Enrique Delgado Montes on the one hand and, on the other, by the self-taught creativity of Berardo Hernández 'Manzanita'. Largely ignored by the elites, it steadily won over audiences and created its own market, establishing its own broadcast channels and distribution channels. As Enrique Delgado stated in 1973: 'We've defined a typically Peruvian cumbia which, strange as it might appear, people also like in Colombia and several other countries.' Finally, setting up their own labels, competing hard against one another and enriching their music with sounds they brought from their specific regions, these bands that gradually sprung up all over the country managed to consolidate a tradition that is still alive today." --Hugo Lévano G
A1Silvestre Montez y Sus Guantanameros - El Saltamontes
A2Los Cóndores Del Cusco - Lamento Del Cóndor
A3Los Gitanos - La Manzanita
A4Los Orientales de Paramonga - Descarga Oriental
A5Los Casmeños - La Espumita Del Río
B1Los 5 Palomillas - El Forastero
B2Los Beta 5 - Sueño Hippie
B3Los Girasoles - Girasoleando
B4Los Demonios Del Mantaro - Cumbia Del Amor
B5Los Demonios de Corocochay - Cumbia Del Puerto
C1Paco Zambrano y Sus Ratones - Bailando Con Patricia
C2Los Ecos - Chola Ingrata
C3Los Tantos - Manzana Verde
C4Los Scorpios - Si No Quieres Bailar Vuelve A Casa
C5Los Blue King's De Ñaña - El Baile de Los Reyes
C6Grupo Siglo XX De Rioja - La Naranjadita
D1Los Sander's - Larga Espera
D2Los Quantos - Cumbia Quántica
D3Los Diablos Rojos - Silbando Por la Montaña
D4Marco Merry y Sus Golfos - El Chullo
D5Sonido Verde de Moyobamba - Lamento Moyobambino