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During the studio sessions that developed into what would become “Worship the Glitch”, Coil became aware of random compositions emitting from their gear, and were at odds with constant “accidents” that were perpetually plaguing the recordings. The band called these unintentional emissions "ELpH": a conceptual being that is one part physical equipment, one part celestial being… constantly playing the role of trickster, throwing a wrench into Coil’s methodology. Eventually, these accidents and mistakes were embraced by the band, and the process of misusing audio software to create intentional "errors" was adopted as a musical technique. The acceptance of the "mistake", and the use of discovered mistakes as intentional elements slowly became the drive and concept behind the album, thus birthing the title “Worship the Glitch.”
Originally released in 1995 on Coil’s in-house imprint Eskaton, Worship the Glitch was Coil’s first proper album-length attempt at conceptual ambient composition, with a radical focus on chance. Seamless vignettes of shattered electronics (though ebbing softly and in delicate balance with each other) provide an underlying uncertainty and discomfort to the listener. Both releases have been remastered by engineer Josh Bonati and supervised by Coil's Drew McDowall, the double LP vinyl releases are packaged in a beautiful matte 24pt stock gatefold jackets.
|A4||The Halliwell Hammers||2:04|
|B1||The Halliwell Hammers (2)||3:43|
|B2||We Have Always Been Here||6:11|
|C3||Hysteron Proteron Jewel||2:18|
|D1||Decadent & Symmetrical||1:51|
|D3||The Halliwell Hammers (3)||3:36|
|D4||Anything That Flies||3:09|
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