What do you get when you combine the King of Horror with the King of Experimental Metal? Delicious new music from Mike Patton that brilliantly scores the Stephen King offering 1922. The 21 tracks that encompass the 1922 Soundtrack run the gamut across the Instrumental field, from ominous sounds (“No Grave for Mama,” “The Conniving Man”) to offerings like “Mea Culpa,” where bittersweet electronic strings seem to emotionally lament a great loss. There is an intensity, a thrilling build that sweeps into “Sweetheart Bandits,” a formidable vastness that propels the story forward into the stampeding sashay of “Death of a Marriage.” Here, the penultimate moment of marital treason fades into a threnody of guilt.
| A01 | No Grave For Mama |
| A02 | Mea Culpa |
| A03 | Sweetheart Bandits |
| A04 | Death Of A Marriage |
| A05 | Murder Is Work |
| A06 | Omaha 1930 |
| A07 | Farewell Note |
| A08 | "Thick As Thieves" |
| A09 | Cornfield-(Vertical) |
| A10 | Mea Culpa 2 |
| B01 | Elphis |
| B02 | Magnolia Hotel |
| B03 | We'll Send Her To Heaven |
| B04 | "I'd Come To Hate Her" |
| B05 | Cornfield-(Horizontal) |
| B06 | "Secrets Only A Dead Woman Could Know" |
| B07 | Dead Woman's Secrets |
| B08 | Problem Wife |
| B09 | The Deed Is Done |
| B10 | The Conniving Man |
| B11 | Sweetheart Bandits 2: "We'll All Get Caught" |
